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突发！37岁威少社交媒体自宣正式退役结束18年NBA职业生涯_我的网站

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A | 北京时间8月13日，曾在NBA征战18个赛季、效力过7支球队的9届全明星球员威少，在社交媒体上发布一段长达3分25秒的视频，正式宣布从NBA中退役，配文“有时候你甚至不知道自己已经看完了结尾。你当时必须在场。现在一切都结束了”。

The Girl Who Was FiredA virtual AI actress has gathered massive followers and stirred widespread heated debate on Chinese social media - unlike conventional celebrities, this breakout star is entirely artificially generated.
Fang Taozi, an AI-generated character who stars in the hit AI short drama series The Girl Who Was Fired, has posted lifestyle vlogs, launched social media accounts, shared her breakfasts, workouts and pets, landed brand deals and has a fanbase.
Since the drama debuted on short video platform Douyin on June 12, it has accumulated 200 million views. Fang's Douyin account has attracted more than 400,000 followers.
Fans interact with her as if she were a real celebrity, creating fan edits, discussing fictional relationships and building a community around her imagined life.
This raises a question that has become increasingly urgent for the entertainment industry: Does Fang Taozi represent the first generation of AI celebrities? The answer depends on how "celebrity" is defined, said Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, in an interview.
If celebrity status is measured by public attention, emotional connection and commercial value, Fang appears to meet many of the criteria. She has fans, a personal brand and even advertising opportunities.
Whether AI can truly become stars depends not on the technology itself, but on their ability to forge genuine emotional connections with audiences and sustain their appeal over time, added Zhang.
However, Shi Wenxue, a Beijing-based cultural critic, argues that AI stars have indeed emerged, but they should be viewed as part of the broader lineage of virtual idols.
From the 1958 US virtual musical group Alvin and the Chipmunks to Hatsune Miku, Luo Tianyi and the hyper-realistic digital human Liu Yexi, virtual performers have existed in various forms for decades.
From the perspective of how she is created, Fang Taozi represents a technological advance. Her emergence is largely a product of the current economic environment of the film and television industry.
The rise of AI performers has also triggered concerns among human actors, especially those working in smaller productions.
Human performers bring personal experience, emotional interpretation and unpredictability - qualities that remain difficult to reproduce. But for industries that require large volumes of affordable content, AI characters offer obvious advantages: They do not age, can work continuously and can be customized for different audiences.
AI short dramas are cheaper, faster and free from the risks associated with human performers, raising concerns over the future of lower-level entertainment jobs in areas such as short dramas, advertising, background acting and voice work, said Zhang.
In Shi's view, beneath the debate lies a familiar tension: technological efficiency versus the threat of displacement for human workers.
The question is not whether AI will completely replace actors, but which parts of acting and entertainment can be automated, he noted.
Rather than presenting an AI figure only as a digital image, Chinese platforms appear to be building complete entertainment ecosystems around AI characters, including dramas, social accounts, fan interactions and commercial partnerships.
China's AI stars have grown out of the audience's desire for emotional companionship, while Hollywood's AI experiments have been shaped by industry battles over efficiency and costs, noted Zhang.
According to Shi, Fang Taozi's sudden popularity is, in many ways, a reflection of audience psychology. Whether they are moviegoers, fans or casual viewers, audiences have grown weary of formulaic content, scripted fan service, predictable performances and fragile celebrity personas. An idol like Fang Taozi offers an alternative: She cannot be involved in scandals, play diva or break character, and her persona can be adjusted to meet audience demands. But the model also comes with risks, particularly the limitations of its creators and the potential for excessive commercialization.
。威少是2008年NBA选秀大会上被超音速以第4顺位选中的球员，随后正式开启职业生涯，先后效力于雷霆、火箭、奇才、湖人、快船、掘金和国王，场均得到20.9分6.9篮板8.0助攻。

B | 威少保持着NBA历史生涯三双次数最多的纪录（209次）。

C | 他自2021年起保持着这一联盟纪录，当时他拿下了职业生涯第182次三双，从而超越了奥斯卡·罗伯特森自1974年以来保持的181次三双的长期纪录。

D | 威少曾经9次入选最佳阵容，9次入选全明星阵容，并且2次加冕全明星MVP，3次当选联盟助攻王。他的职业生涯的大部分时间（11个赛季）是在雷霆度过的，并于2017年荣膺常规赛MVP。他曾与凯文·杜兰特和詹姆斯·哈登联手，带领雷霆在2012年夺得西部冠军，随后在NBA总决赛中不敌热火。威斯布鲁克的经纪人杰夫·施瓦茨于早些时候发表声明，谈到了在劳资协议（CBA）引入第一土豪线和第二土豪线规则后，老将（威少）面临的签约难题：“太不可思议了，湖人队的估值高达120亿美元，但各支球队却因为现行的劳资协议规则而不愿在年长球员身上投入资金。谢谢你，球员工会。” 即将年满38岁的威少在25年休赛期无人问津，多年以来首度缺席训练营。

E | 尽管海外多支队伍向他发出邀约，但是他仍坚信自己能在NBA打球，于是乎拒绝所有报价。到了季前赛，国王为他开出无保障合同，威少就此开启个人第18个赛季，他赛季为国王出场64场常规赛，其中58场首发，场均得到15.2分5.4篮板6.7助攻1.3抢断。

F | 在混乱的国王内部当中，威少逐渐通过赛场自证身价，是队内为数不多的值得信赖的持球点。威少在休赛期一度传出拒绝奔赴海外打球，仍然有继续留在联盟的想法，多次在社交媒体中晒出了自己的训练视频。据名记Shams透露，尽管威少在休赛期收到国王和奇才的邀请，但他最终选择按自己的意愿结束职业生涯。最后，让我们祝福威少，希望他在退役以后一切顺遂。

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Published on:21:19:13